Vient de paraître: special issue on Media and Terrorism. From live-tweets to archives of the future (Media, War & Conflict)

Special Issue: Media and Terrorism in France. (2019). Media, War & Conflict, 12(2) – https://journals.sagepub.com/toc/mwca/12/2
Ed. Katharina Niemeyer and Staffan Ericson

From live-tweets to archives of the future: Mixed media temporalities and the recent French terrorist attacks

Alongside the “arrival” of digital communication technologies in the 20th century, the experience of time appears to have been altering. Hartmut Rosa (2013) has labeled this phenomenon social acceleration and François Hartog (2014) has analysed the regime of presentism in relation to the difficulty for historical narratives to take shape. These tendencies, presumably reinforced with the Web 2.0 and other forms of digital capitalism (Wajcman, 2015), concern everyday life communication, the work place, economic and financial exchanges but also the routines of journalists, newsrooms and war correspondents (see Risso, 2017). This evolution has at the same time fostered the so-called slow movements, such as slower journalism or slow food: forms and expressions of resistance or at least tendecies of (commodified) deceleration. These temporal shifts and interplays are also of importance when it comes to the question of terrorism, its organization and mediatization.
This special issue does not focus on the way terrorist organizations adapt to these new temporal realities or how they use communication technologies. Rather, it is interested in how these social changes transform and perform – or not (the idea of social acceleration is not the explanation for everything) – the way news media narrate terrorist attacks, how the reactions to the latter are shared in (online) social media and how the public and institutions try to archive traces of the event for future historical and commemorative work.

INTRODUCTION
From live-tweets to archives of the future: Mixed media temporalities and the recent French terrorist attacks
Katharina Niemeyer and Staffan Ericson
https://journals.sagepub.com/doi/full/10.1177/1750635219853891 (free access)

‘We are at war’: Continuity and rupture in French anti-terrorist discourse
Julien Fragnon
https://journals.sagepub.com/doi/full/10.1177/1750635219846035

Paris and Nice terrorist attacks: Exploring Twitter and web archives
Valérie Schafer, Gérôme Truc, Romain Badouard, Lucien Castex
and Francesca Musiani
https://journals.sagepub.com/doi/full/10.1177/1750635219839382 (free access)

From tweets to graffiti: ‘I am Charlie’ as a ‘writing event’
Maëlle Bazin
https://journals.sagepub.com/doi/full/10.1177/1750635219839395 (free access)

The front page as a time freezer: An analysis of the international newspaper coverage after the Charlie Hebdo attacks
Katharina Niemeyer
https://journals.sagepub.com/doi/full/10.1177/1750635219839378

Charlie Hebdo, 2015: ‘Liveness’ and acceleration of conflict in a hybrid media event
Johanna Sumiala, Minttu Tikka and Katja Valaskivi
https://journals.sagepub.com/doi/full/10.1177/1750635219846033

1989-2019/ Berlin, je me souviens – Berlin, ich denk an Dich

Capture d’écran 2019-09-14 à 09.07.12

Open House as part of the Journées de la culture

The Goethe-Institut and the Faculté de communication de l’UQAM cordially invite you to come and mark the 30th anniversary of the fall of the Berlin Wall as part of the Journées de la culture. Programme:

Exhibition
The Wall – A Border through Germany

The history of the Berlin Wall and of the inner-German border is documented on 20 large-format posters. On display are a number of impressive photographs and documents from the archives of the newspapers Bild and Die Welt. Addressed themes are the GDR’s border regime and its victims, escape helpers and flight, everyday life along the inner-German border and within the partitioned city, as well as the joyful overcoming of Germany’s partition during the Peaceful Revolution in 1989.
www.goethe.de/canada/wall​

1989-2019/ Berlin, je me souviens – Berlin, ich denk an Dich
From the peaceful revolution and merchandization of (n)ostalgia to Rammstein: exhibition, performances, panel discussion
3:00 p.m.: exhibition
5:00 – 6:00 p.m.: panel discussion with UQAM students and film director Catherine Veaux-Logeat (Entre mer et Mur)
6:00 – 7:30 p.m.: musical performance

Partners : Le Fonds de recherche du Québec – Société et culture (FRQSC)
CELAT – Centre et laboratoires de recherche Arts-Cultures-Sociétés

In the summer of 2019, students enrolled in communication, history, music, literature or the German language certificate at UQAM were able to grasp the history and particular stories relating to Germany and Europe, 30 years after the fall of the Berlin Wall. During the 6th edition of the Berlin Summer School, they produced films, reports, interviews, photographs, essays, stories, travel diaries and podcasts as part of the courses offered by Sebastian Döderlein (language school, UQAM) and Katharina Niemeyer (media school, UQAM, CELAT). Many of these works will be exhibited and presented on September 28, 2019 at the Goethe Institut and some productions will be posted online: https://berlinprague2019.uqam.ca/.